Post Category → Category: Fashion Photography

Well Heeled

Long before Terry Richardson’s overt, unabashedly sexy and borderline-pornographic photographs, were those by David Bailey, Helmut Newton and Guy Bourdin. Employing sex as a shock-factor to emulate one of the finest paris escorts in fashion photography is not a recent phenomena and evident in the work of even the most

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Change the Chanel

Considered somewhat of an enigma to the fashion industry, photographer Steven Meisel is notorious for abstaining from interviews and shying away from the camera, unless of course, he is behind the lens. In 1988, Meisel shot his first cover for Vogue Italia, beginning a long relationship with the magazine– Meisel would continue to exclusively photograph covers for the

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Café Society

In Lima, Peru, Irving Penn would photograph model Jean Patchett on her first Vogue assignment for the editorial, “Flying Down to Lima.” Penn’s well-known image of the then 22-year-old model was reportedly taken candidly, as Patchett awaited the next scene, unknowing of the camera upon her. For Vogue’s May 2014 issue, Mario Testino would

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Bottoms Up

Art director and photographer Bert Stern’s images of Marilyn Monroe, Cary Grant and Elizabeth Taylor personified the youthful and provocative 1960s. Remembered as one of photography’s finest, Brooklyn-born Stern is most revered for his celebrity and commercial work.  In 1962, Stern photographed actor and social fixture of 1960s Italy, Walter Chiari,

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Crystal Ball

Her December 1992 cover for Harper’s Bazaar was a coup for the young Kate Moss, coming just two years after she debuted on the cover of The Face in 1990. For the holiday-themed cover, Moss holds a festive snow globe, dressed in crimson taffeta; the first of many covers for the budding supermodel.

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Framed

Erwin Blumenfeld’s images often teased its viewers through photographic and visual manipulations achieved by reflective surfaces, shadows and duplications. When photographing the soon-to-be Princess of Monaco, Blumenfeld hinted at surrealism by housing Grace Kelly in a life-sized gilded frame, perhaps likening her to a literal work of art. In 2007,

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Top of the Ladder

At a time when the draped, columnar and classically-inspired dress came into fashion, photography would also follow a neoclassical aesthetic. A major proponent of this photographic style was George Hoyningen-Huené, who often inserted Greek-like columns and classical architectural elements into his mise-en-scène. Hoyningen-Huené is most known for his images which featured models

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Throw In The Towel

Mario Testino has taken to posting a series of instagrams aptly named and hash-tagged #towelseries. Testino has snapping behind-the-scenes photos of his subjects on set, including the likes of Kate Moss, Miranda Kerr and Candice Swanepoel, casual in terrycloth robes and towel-turbans. To promote Taylor’s signature White Diamonds fragrance, Ritts would photograph the violet-eyed star

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50 Shades of Glasses

The album art of John Lennon’s 1974 record “Walls and Bridges” featured an image of the artist’s multi-bespectacled face, photographed by Bob Gruen. The over-accessorized pic riffed on Lennon’s ever-present round specs. For Elle Italia‘s April 2011 issue, photographer Alexei Hay showcased the season’s offerings of glasses, layering shade upon shade onto

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Penn it In

With the return of the midi skirt, along with Raf Simons citing the Dior archives as the predominant inspiration behind his latest collection for the house, it seems a sense of mid-century glamour is having a moment. As Vogue’s leading photographer, Irving Penn’s sharp postwar imagery pierced the pages of the magazine in

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