“Otherworldly” best describes the aesthetic of Norwegian-born photographer Sølve Sundsbø. A regular contributor to many contemporary fashion publications, Sundsbø garnered much attention for his visual contribution to the Alexander McQueen: Savage Beauty catalogue. In 2008, Sundsbø photographed Danish model Freja Beha Erichsen dressed in solid-colored gowns bubbling and billowing about her for the March
Under the moniker of Horst P. Horst, German born Horst Paul Albert Bohrmann would photograph the beau monde and Parisian café society of the interwar years. The year Horst would meet Gabrielle Chanel, he took the most memorable and well-known photograph of the fashion designer’s life; an image that came to typify
Transgressive German photographer Helmut Newton, established a prolific body of work in his signature voyeuristic style that changed the landscape of 20th-century fashion photography. In 1985, the photographer would capture Elizabeth Taylor’s self-professed love affair with jewelry as she bathed in a Los Angeles pool accessorized with an emerald Bulgari parure
Often looking to the surreal, Melvin Sokolsky would play with proportion, perspective and pre-photoshop trickery in his fashion photography. Known for his series of bubble girls hovering about Paris, Sokolsky drew inspiration from Hieronymus Bosch’s fantastical painting, The Garden of Earthly Delights which featured a vignette of a couple encased in a glass bubble.
In 1956, Cecil Beaton costumed the debut Broadway production of My Fair Lady, which would earn the prolific photographer and costumer designer a Tony for Best Costume Design. Seven years later, Beaton was celebrated once more for his Eliza Doolittle costumes, this time worn by Audrey Hepburn in the film adaptation