Swan Lake
In 2001, Icelandic artist Björk wore what has now become one of the most infamous red carpet dresses. Designed by Macedonian Marjan Pejoski, the frock referred to as the “swan dress,” was meant to symbolize fertility, a notion further reinforced by Björk as she left a trail of eggs down
Seeing Red
Vivacious fashion editor of Harper’s Bazaar, editor-in-chief of Vogue and Curator at the Costume Institute, Diana Vreeland is often referred to as the Empress of Fashion. Under the direction of Diana Vreeland at Vogue, German photographer Horst P. Horst began photographing high society within their living spaces throughout the 60s–including Mrs. Vreeland herself. To celebrate the
Ladies’ Man
Richard Avedon was a man of many “firsts,” photographing Steve McQueen for the February cover of Harper’s Bazaar in 1965, a cover that would serve as the first instance in which a man was featured on the cover of a women’s fashion magazine, albeit, 60s model Jean Shrimpton does make a cameo
Nailed It
A contemporary of Salvador Dalí and Jean Cocteau, Elsa Schiaparelli’s transgressive designs were often the result of a direct collaboration with the surrealists. Schiaparelli’s August 1936 collection, designed alongside Salvador Dalí, featured suits with pockets that resembled miniature bureau drawers, paired with black suede gloves adorned with red patches of snakeskin to suggest the red colored nails underneath
Play With Fire
In 1952, Revlon introduced their striking Fire and Ice campaign photographed by Richard Avedon. Starring Dorian Leigh, the ad debuted the cosmetic brand’s latest pairings of matching “lips and tips” shades for those women “who love to flirt with fire…who dare to skate on ice.” Set against writer Kay Daly’s